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Let me first say that I have been to packed out shows at Yugong Yishan before. The Gar was pretty impressively packed, as was Convenience Store’s tenth anniversary, and from reports I hear that Re-TROS was tight-fitting too, but I’m going to go out on a limb here and say that this show was the most packed out the venue has ever been. I turned up a little before the scheduled starting time of 9:30, and there were loads of people outside, as there often is with big shows. Still, I didn’t expect to find my friends outside to have them tell me that there were probably already 300 people inside, and the show hadn’t even started yet. It was insane inside. It’s often the case with shows at Yugong Yishan that there’s a bottleneck around the stairs, but if you push your way through there’s plenty of room on the dance floor. This time, there was no pushing through. There was no room anywhere. In fact, the only room available was one row in front of and behind the screen near the bar — even the entrance was teeming with people. I didn’t go upstairs, but mostly because it was impossible to get anywhere. It was hot inside, compounded by the fact that it was chilly outside so everyone was wearing jackets and getting overheated.
In short, it was intense.
However, the music was good. Dawanggang opened the show with their particular brand of folk, started by eminent folk artist Song Yuzhe, incorporating Mongolian group A Jinai and — at least on Monday — infused with the sounds of folk veteran Laoda. It was an interesting twist on folk — a little experimental, a little artsy, but still very much grounded in the Chinese folk tradition.
Then Huun Huur Tu took the stage, and the crowd went nuts. I have to say that they were easily the best throat singers I have seen, and I have actually seen more throat singers than I would have ever conceived of before moving to China. However, I will have to admit that for show-going, I will always prefer Hanggai. They’re not entirely dissimilar, though they are from two different countries — they both dress in traditional Chinese-style silk garments and play interesting instruments alongside their throat singing. But what Hanggai brings to the stage is a true element of performance. Huun Huur Tu sat on stage and gave a fairly flat performance, while Hanggai always has an admirable stage presence that shines through and
Last night was pretty packed, but I’d say DJ Krush was worse, couldn’t even get past the bar for that one, let alone to the big screen!
Have you seen Ajinai live? They’re a little less rock than Hanggai, a little less traditional than Huun Huur Tu and a little less experimental than Dawanggang — but they have amazing stage presence and are probably my favourite of these bands.
@Ruby
I guess he lives up to his name then… /terrible puns
I haven’t! I don’t know what kept me from their album launch, though, because I remember putting it on Weibo and everything! I’ll have to keep an eye out for the next time they play.
“Chinese-style silk garments”
No… Hanggai may be based in Beijing, but their music is Mongolian. Huun Huur Tu are Tuvan. You should research a bit more about their culture because they’re not Chinese. –_–
@Winnie
I definitely know that neither of them are Chinese! The silk and cut of their outfits just reminded me of traditional Chinese garments. Of course, I have a fairly untrained eye…